We still had plenty of material to go over, perhaps several days’ worth of work, and, as anyone who has spent time in the capital knows, D.C. The story unrolls with Lincoln’s assassination and describes the horrific conditions in the South following the Civil War, caused in large part by the murder of the sixteenth president. Deb and I had come to Washington the day before to conclude research on a book we’d been pounding out for nearly a year, The Day Dixie Died. While the excited, noisy chatter among the pre-teens and tour groups rose to a roar as the curtain call approached, I sat mostly mute. WITH THE POSSIBLE EXCEPTION of one or two screaming infants, I was undoubtedly the most disgruntled and agitated person in the audience. Includes bibliographical references and index.ġ. Library of Congress Cataloging-in-Publication DataĪnd the great American tragedy / Thomas Goodrich. Manufactured in the United States of America The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. Williams, founding Chair of The Lincoln Forum Read more “Among the hundreds of books published about the assassination of our 16th president, this is an exceptional volume.” -Frank J. The result is a gripping account, filled with detail and as fresh as today’s news. Thomas Goodrich brings to his narrative the care of the historian and the flair of the fiction writer. The story has been told many times, but rarely with the immediacy of The Darkest Dawn. The president who had steered the nation through its bloodiest crisis was cut down before the end, just as it appeared that the bloodshed was over. The conspirators brought to justice.Ĭoming just days after the surrender of the Confederate Army at Appomattox, the assassination of Abraham Lincoln has become etched in the national consciousness like few other events. It was one of the most tragic events in American history: The famous president, beloved by many, reviled by some, murdered while viewing a play at Ford’s Theater in Washington. Mak is a skilled director and this simply staged show is very decent and well-cast “Buddy,” offering both the highly experienced and well-known Chicago performers Alex Goodrich, Cory Goodrich and Melanie Brezill in supporting roles, as well as a nicely quirky and understated central turn from Kieren McCabe, who does great justice to this music while also capturing much of Holly’s disarming appeal.The story of the Lincoln assassination and its aftermath, captured with you-are-there immediacy. But this genre has since moved on from the path “Buddy” forged, and for the best. That said, it was one of the first jukebox musicals out of the box in 1989 (it ran in London for 14 years). “Buddy” has all the jukebox musical cliches with the radio DJs, the nonbelievers and the creative disputes ending in reconciliation. “The Big Bopper” Richardson, following a joint concert in Iowa, early on the morning of Feb 3, 1959. Now here comes the Marriott Theatre, which has sent its orchestra home for the summer and hired director Amber Mak and a small and very capable group of actor-musicians to stage the story of the favorite son of Lubbock, Texas, whose career rose like a Phoenix only to end when he was killed in an airplane accident, along with Ritchie Valens, and J.P. It also was produced at Stage 773 by American Blues Theater in 2018, which was the last time I compiled this list. Alan Janes’ “Buddy: The Buddy Holly Story” has been seen at the Shubert Theatre (1992), Pegasus Players (also 1992), the Apollo Theater (1997), Shubert again (1999), the Mercury Theater (2007), the Drury Lanes of both Oakbrook Terrace and downtown Chicago (2008), and the Cadillac Palace (2013). The jukebox show about the late, great musical artist Buddy Holly might just be Chicago’s most frequently produced show.
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